HDMI ARC vs Optical: Formats, Control and Device Compatibility

Choose HDMI ARC, eARC or optical for TV audio using verified format support, control behavior and a product matrix for WiiM, Fosi and Eversolo devices.

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HDMI ARC vs Optical: Formats, Control and Device Compatibility

HDMI ARC and optical can both carry television audio to a soundbar, amplifier, DAC or streamer. The decisive difference is rarely “which cable sounds better.” It is whether the connection must also carry volume commands, coordinate power and input switching, and deliver a format the receiving product can actually decode.

Evidence status: Primary-source Verified for the connector and format entries below. SoundPath Lab has not run a simultaneous TV-interoperability test across every listed product. When a manufacturer does not publish a clear codec table, the field is marked Unknown rather than inferred from the ARC or eARC label.

Direct answer

Choose HDMI ARC or eARC when one-cable TV control, CEC volume commands and automatic TV input behavior matter. Choose optical when the system needs a simple stereo PCM path, electrical isolation or a dependable fallback from HDMI handshake problems.

Do not choose by the socket name alone. An eARC input can still feed a two-channel product with a limited decoder, while an ARC product may accept Dolby Digital. The TV, source, cable and receiving device must agree on one format.

ARC, eARC and optical at a glance

Decision factor HDMI ARC HDMI eARC Optical / TOSLINK
TV audio return Yes, through the labelled ARC port Yes, through the labelled eARC port Yes, through the TV's optical output
TV-remote volume Usually through HDMI-CEC when both devices implement it Usually through HDMI-CEC when both devices implement it Normally no CEC; behavior depends on the TV and receiver
Automatic power/input behavior Possible, but product and brand implementation matters Possible, but product and brand implementation matters Normally manual or device-specific
Stereo PCM Commonly supported; verify the receiving product Commonly supported; verify the receiving product Commonly supported; verify sample-rate limits
Compressed surround Link can carry supported formats, but the receiver must decode them Link can carry supported formats, but the receiver must decode them May carry Dolby Digital or DTS where both ends support the format
High-bandwidth/lossless multichannel Not the general baseline The link was designed for broader, higher-bandwidth audio support Not the appropriate path for high-bandwidth lossless multichannel
Electrical isolation No No Yes; useful when an electrical ground path causes hum
Best use Convenient TV integration on an ARC-capable product Newer TV systems that genuinely need the receiver's documented eARC formats Stable stereo, older equipment, isolation or HDMI fallback

The transport capability is only the outer boundary. A product advertised with HDMI eARC is not automatically an Atmos decoder, an AVR or a multichannel amplifier.

Verified product compatibility matrix

This matrix records only what current manufacturer material clearly supports. “Safe first setting” is a setup baseline, not a claim that every television uses the same menu wording.

Product TV input Explicitly documented TV-input formats System role Safe first setting and important limit
WiiM Amp HDMI ARC Stereo PCM Streaming amplifier for passive speakers Set the TV to PCM. Do not assume Dolby Digital support from the ARC label.
WiiM Amp Pro HDMI ARC Stereo PCM and Dolby Digital Streaming amplifier; eligible WiiM Dolby 5.1 hub PCM is the diagnostic baseline. Dolby Digital is supported; DTS and Dolby Atmos are not the hub format.
WiiM Amp Ultra HDMI ARC Stereo PCM and Dolby Digital Higher-power streaming amplifier; eligible WiiM Dolby 5.1 hub Same format boundary as Amp Pro. The display and extra power do not add DTS or Atmos decoding.
WiiM Ultra HDMI ARC; optical input also available PCM and Dolby Digital; WiiM lists up to 24-bit/192 kHz for both inputs Streamer, DAC and preamplifier; does not drive passive speakers Use line output to an amplifier or powered speakers. WiiM explicitly excludes DTS and Dolby Atmos.
Fosi Audio ZD3 HDMI ARC, not eARC PCM up to 24-bit/192 kHz; Fosi explicitly says Dolby and DTS are unsupported DAC/preamplifier for a downstream amplifier or active speakers TV-remote volume is documented in ARC mode. Set the TV to PCM and do not treat the HDMI socket as eARC.
Fosi Audio S3 HDMI eARC Unknown: current public product material reviewed here does not provide one unambiguous accepted-codec table Streamer, DAC and preamplifier with sub output Start with stereo PCM, then test only a format Fosi explicitly confirms for the current firmware. eARC and “2.1” do not prove Dolby or DTS decoding.
Eversolo DMP-A6 Gen 2 / Master Gen 2 HDMI ARC Unknown: ARC input is documented, but the reviewed public product material does not clearly state the complete TV-input codec set Streamer, DAC and preamplifier Start with PCM. Do not confuse the separate HDMI multichannel output specification with the ARC input decoder.
Eversolo Play HDMI ARC/eARC Unknown: ARC/eARC operation is documented, but the reviewed product page does not provide a complete accepted-codec table All-in-one streaming amplifier for passive speakers Start with PCM and verify any surround requirement before purchase. ARC/eARC support alone does not define the decoder.

Why the WiiM Amp row matters

The original WiiM Amp and the Amp Pro look similar and both use HDMI ARC, but their accepted TV formats are not the same. WiiM's current support material uses stereo PCM as the safe baseline for the original Amp while identifying PCM and Dolby Digital for Amp Pro and WiiM Ultra. The current WiiM 5.1 guide lists Amp Pro, Amp Ultra and Ultra as eligible hubs—not the original Amp.

That is a model-level compatibility difference, not a cable difference. If a TV is fixed to Dolby Digital, an original WiiM Amp may remain silent even though the HDMI handshake and volume control appear normal.

Read the full WiiM Amp vs Amp Pro vs Amp Ultra comparison before replacing a working amplifier.

Why eARC does not settle the Fosi or Eversolo decision

Fosi markets the S3's HDMI eARC input as part of a simple 2.1 system, and Eversolo documents ARC/eARC input on Play. Those statements establish the connection and intended role. They do not, by themselves, publish the complete accepted-codec set.

SoundPath Lab therefore does not fill those cells with Dolby, DTS or lossless-format claims. A buyer who needs more than stereo PCM should obtain an exact, current answer for the model and firmware before the return window closes.

For the Fosi decision, also read Fosi S3 vs WiiM Pro Plus. It separates the S3's useful HDMI and XLR hardware from its wider software-maturity questions.

Choose by the system you already own

Keep optical when it already solves the problem

If the TV outputs stable stereo PCM to an existing DAC, amplifier or powered speaker and a second remote is acceptable, replacing the path only to obtain an ARC label may add complexity without improving the result.

Optical also breaks the electrical connection between the TV and audio system. That can be useful when HDMI or analogue wiring contributes to a hum loop.

Choose ARC/eARC when everyday control is the missing function

ARC is most valuable when the household expects the TV remote to control volume, the audio system to wake with the television and the TV input to become the normal default. These behaviors depend on HDMI-CEC and product implementation; they are not guaranteed by bandwidth alone.

If the system combines TV, music and a subwoofer, compare the three clean TV-and-music system architectures before deciding whether the new device should be a preamplifier hub or a speaker-driving amplifier.

Do not feed passive speakers from a streamer or DAC

WiiM Ultra, Fosi S3, Fosi ZD3 and Eversolo DMP-A6 Gen 2 provide line-level outputs. They still require powered speakers, an integrated amplifier or a power amplifier. WiiM Amp, Amp Pro, Amp Ultra and Eversolo Play contain speaker amplification.

This role difference is more important than a small difference in digital-input specification. The wrong role can leave a system with no way to power its speakers or with two volume controls in series.

A safe setup sequence

  1. Connect the TV's port labelled ARC or eARC to the audio product's specifically labelled ARC/eARC port. An ordinary HDMI input is not interchangeable.
  2. Enable HDMI-CEC and ARC/eARC on both devices. CEC may use a brand name such as Anynet+, Simplink or Bravia Sync.
  3. Select the external audio system in the TV menu and the TV/ARC input on the receiving product.
  4. Set the TV to stereo PCM for the first test. Use a built-in TV app before adding a game console, streaming box or disc player.
  5. Confirm stable sound and TV-remote volume control. Then test automatic wake, input return and lip-sync.
  6. Only after PCM works, enable Dolby Digital or another format that the exact receiver explicitly documents.
  7. If sound disappears, return to PCM. That isolates a format mismatch from a cable, port or CEC failure.
  8. If HDMI remains unreliable, test optical PCM. A working optical path can keep the system usable while the HDMI behavior is investigated.

For symptom-by-symptom recovery, use the separate HDMI ARC/eARC troubleshooting guide.

What remains unknown

SoundPath Lab has not verified every television pairing, restart-volume state, CEC brand combination, firmware version or automatic input-priority rule for the products in this matrix. The exact accepted ARC/eARC codec set remains unclear in the public material reviewed for Fosi S3, Eversolo DMP-A6 Gen 2 and Eversolo Play.

Those are documentation gaps, not proof that a format fails. Owners can help close them by submitting the television model, source device, TV output setting, receiver firmware, connection type and a repeatable result. One anonymous report should not become a universal compatibility claim.

Bottom line

Choose the connection that completes the whole control and format path.

  • Use ARC/eARC when TV-remote volume, coordinated power and automatic TV behavior matter.
  • Use optical when a stable stereo PCM link, isolation or a fallback is more valuable.
  • Treat the receiving product's codec table as authoritative over the connector label.
  • Treat missing codec documentation as Unknown, not as implied support.
  • Keep existing equipment when it already provides a stable path and the new connection does not solve a real problem.

Primary sources

Last evidence review: 14 September 2026.

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